A literary mode rather than a distinguishable genre, magical realism is characterized by two conflicting perspectives, one based on a so-called rational view of reality and the other on the acceptance of the supernatural as prosaic reality. Magical realism differs from pure fantasy primarily because it is set in a normal, modern world with authentic descriptions of humans and society. It aims to seize the paradox of the union of opposites; for instance, it challenges binary oppositions like life and death and the pre-colonial past versus the post-industrial present. According to Angel Flores, magical realism involves the fusion of the real and the fantastic, or as he claims, “an amalgamation of realism and fantasy.” The presence of the supernatural in magical realism is often connected to the primeval or magical “native” mentality, which exists in opposition to European rationality (See Myths of the Native<span>). According to Ray Verzasconi, as well as other critics, magical realism is “an expression of the New World reality which at once combines the rational elements of the European super-civilization, and the irrational elements of a primitive America.” Gonzalez Echchevarria believes that magical realism offers a world view that is not based on natural or physical laws nor objective reality. However, the fictional world is not separated from reality either.</span>
You need to make sure you did all the steps first then the last step is revising
Love is everlasting and all-consuming.
The poem “The Poison Tree” enumerates certain feelings of the speaker which is most obvious among the humans. In the introductory lines, the poet tells that how his ‘wrath’ against his friend ended after confessing it to him. Though the poet tells more about the feeling of hatred which he possessed for his enemy, the emphasis of the poem lies much on the feeling of love. The poet had used words like ‘hatred,’ ‘poison,’ ‘wrath’ throughout the poem so that the immortality of love would flourish upon it ever.
