Answer:
brake, stationary !
Explanation:
jus did it .. amos//klooney91
Answer:
C. is the dystopian quality of this passage: Power is based on the ability to obtain a necessity of life.
Explanation:
Dystopian fiction is social commentary in the form of a story that exaggerates one aspect of today's society.
People who have the most access to essentials will always have power over those who do not. This is the exaggerated aspect. It shows a piece of our everyday lives under a microscope, so we can say "hey, this doesn't seem right."
The shortened form of a word that has an apostrophe in place of a missing letter is called A contraction
Answer:
death with In a building
Explanation:
i would first start by everyone working there and asking them questions see what they were all doing and remove the not so suspeciouse and their storys line up
Answer:
Albert Chinualumogu Achebe was born on November 16, 1930, in Ogidi, a large village in Nigeria. Although he was the child of a Protestant missionary and received his early education in English, his upbringing was multicultural, as the inhabitants of Ogidi still lived according to many aspects of traditional Igbo (formerly written as Ibo) culture. Achebe attended the Government College in Umuahia from 1944 to 1947. He graduated from University College, Ibadan, in 1953. While he was in college, Achebe studied history and theology. He also developed his interest in indigenous Nigerian cultures, and he rejected his Christian name, Albert, for his indigenous one, Chinua.
In the 1950s, Achebe was one of the founders of a Nigerian literary movement that drew upon the traditional oral culture of its indigenous peoples. In 1959, he published Things Fall Apart as a response to novels, such as Joseph Conrad’s Heart of Darkness, that treat Africa as a primordial and cultureless foil for Europe. Tired of reading white men’s accounts of how primitive, socially backward, and, most important, language-less native Africans were, Achebe sought to convey a fuller understanding of one African culture and, in so doing, give voice to an underrepresented and exploited colonial subject.
Explanation:
