Answer:
Make sure that you share eye contact with all members of a small audience and all areas of a large audience
Explanation:
Answer:
This contains physical bullying.
Explanation:
The 3 boys on bikes were hurting Forest with rocks, which caused him to bleed. This is physical bullying.
In Microsoft Excel, if you create a clustered column chart to visualize data in such a way that the data is depicted as vertical bars.
<h3>
What is clustered column chart?</h3>
A clustered column chart defined as the chart that shows more than one series of data into a vertical columns.
- If Gemima has converted her table, than firstly, he needs to "select the table".
- Likewise, Gemima needs to do next with "Ctrl+a".
- Moreover, Gemima should do at last by "Type the title"
Learn more about clustered column chart, refer to the link:
brainly.com/question/1958037
We know that it take 1/6 of a minute to fill up the water bottle up to 1/3 full.
To find how long it will take, we will do:
1/3×3=3/3 This water bottle fraction when it's full
If we do the same thing to the time, we will get:
1/6×3=3/6=1/2
Then we do 1/2×60 to find how long it will take:
1/2×60=60/2=30
So it will take 30 seconds to fill up the water bottle.
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.
