<h2>These six words were written by Ernest Hemingway, Arthur C. Clarke, or The Spokane Press doesn’t really matter. It’s a premier example of everything fiction’s shortest form can do.</h2>
<h2>In a world of novels, essays, and short stories, flash fiction is underdog prose. Scarcely discussed and often poorly defined, it becomes that much more exciting, edgy, and experimental. Twist endings and sudden violence are hallmarks of the form, where just six words can allude to the tragic death of a child.</h2>
<h2>Flash fiction is dangerous — it asks the writer to surrender all safety nets and let a mere smattering of sentences speak for themselves. But it can also be extremely rewarding, if done right. Before we get into that, however, let’s gauge what it actually is.</h2>
<h2>Mark me as brainliest ❤️</h2>
Hello there.
<span>What blocks the explorer’s personal growth in “The Explorer”?
</span><span>B. There are too many choices.</span>
Answer:
-heard and seen
-seen but not heard
Explanation:
Remember, the best example of a live medium is the television. Therefore, the ability to be heard and seen best describes the live medium because it allows us to see images in a moment of time as they appear.
Sometimes also, a live medium may be seen but not heard, which is common in visuals dedicated to the deaf and speechless individuals.
