Answer:
Syncopation
, pentatonic scales and modal scales.
Explanation:
<em>Syncopation</em> in music represents an <em>alternation of different rhythms</em> that occurs suddenly so as to break the rhythm's regular flow. It is used in dance music and pieces rich in syncopation induce a <em>desire to move to the music</em>.
<em>Pentatonic scales</em> are music scales containing 5 notes per octave (Ancient Greek <em>pente </em>meaning five) and they root from ancient civilizations. This scale was discovered naturally through human's innate sense of music.
<em>Modal scales </em>can be derived from one <em>major scale </em>with a different starting tone. One of the most common modes is <em>Aeolian</em>, which starts at the sixth major scale tone.
All of the above are the specific elements present in romantic music (XIX century).
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
The answer is B
The first and third note are quarter notes for which only take one beat, the middle note is an eight note which also only takes one beat!
