B. the political rights of the english
The iron curtain refers to the line that separated the Soviet satellite states of eastern Europe from western Europe. The term "iron curtain" was chosen to describe the degree of separation that existed between Communist and non-Communist states in Europe and to describe the repression and force by the USSR in the establishment of its sphere of influence. <span>I think that western leaders were so concerned about the Iron Curtain because it represented the Soviet Union's continued desire to expand, the threat of war with the Soviet Union, and the overall threat of Communism.</span>
Answer:
The United States persecuted U.S. Citizens.
The United States began to build up its military and to stockpile weapons.
Explanation:
- The country was always ready for some Soviet attack, and people had their underground shelters, army was always prepared for some attack. There was no amendment in the Constitution but two laws against communists were enacted in 1950 and 1954.
- Many United States citizens were arrested and prosecuted because they were members of Communist Party or country doubted they are.
Answer:
Cities grew more slowly in the South due to the lack of railroads and transportation. The North had many methods of transportation, while the South had fewer, and they were short, local, and did not connects all parts of the region in the network.
(1) Because agriculture was so profitable, Southerners remained committed to farming rather than starting a new business; (2) lack of capital. many had already invested in farms and slaves, and believed that an economy based on cotton and slavery would continue to prosper; (3) the market for manufacturing goods in the South was smaller than it was in the North. A large portion of the Southern population was slaves, who could not purchase items; (4) some Southerners did not want industry to flourish there
Explanation:
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Break dancing, also called breaking and B-boying, energetic form of dance, fashioned and popularized by African Americans and U.S. Latinos, that includes stylized footwork and athletic moves such as back spins or head spins. Break dancing originated in New York City during the late 1960s and early ’70s, incorporating moves from a variety of sources, including martial arts and gymnastics.
Break dancing is largely improvisational, without “standard” moves or steps. The emphasis is on energy, movement, creativity, humour, and an element of danger. It is meant to convey the rough world of the city streets from which it is said to have sprung. It is also associated with a particular style of dress that includes baggy pants or sweat suits, baseball caps worn sideways or backward, and sneakers (required because of the dangerous nature of many of the moves).
The term break refers to the particular rhythms and sounds produced by deejays by mixing sounds from records to produce a continuous dancing beat. The technique was pioneered by DJ Kool Herc (Clive Campbell), a Jamaican deejay in New York who mixed the percussion breaks from two identical records. By playing the breaks repeatedly and switching from one record to the other, Kool Herc created what he called “cutting breaks.” During his live performances at New York dance clubs, Kool Herc would shout, “B-boys go down!”—the signal for dancers to perform the gymnastic moves that are the hallmark of break dancing.
In the 1980s breaking reached a greater audience when it was adopted by mainstream artists such as Michael Jackson. Jackson’s moonwalk—a step that involved sliding backward and lifting the soles of the feet so that he appeared to be gliding or floating—became a sensation among teens. Record producers, seeing the growing popularity of the genre, signed artists who could imitate the street style of the breakers while presenting a more-wholesome image that would appeal to mainstream audiences. Breaking had gone from a street phenomenon to one that was embraced by the wider culture. It is around this time that the term break dancing was invented by the media, which often conflated the repertoire of New York breakers with such concurrent West Coast moves as “popping” and “locking.” Those routines were popularized in the early 1970s by artists on television, including Charlie Robot, who appeared on the popular TV series Soul Train.
