Answer:
(C) It would remain between you and I.
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.
Answer:
The answer is C
Explanation:
because the punctuation must have in the front and back like this("......")
Malvolio's fate does seem fair, because it was his own insistence on fighting that got him killed. Tybalt had no intention of fighting him, only Romeo and Romeo refused the challenge. Mercutio's embarrassment for Romeo's "cowardice" and need to constantly be fighting is what accelerated the fight and it's why he died. Shakespeare included him in the play though, for comedic relief through the first half and then to incite the punishment of banishment in the fight scene so that the ending could happen.
Nenny wants to buy the music box
