It would have to be B.) Sparse Language, please dont yell at me if I get it wrong I am a math tutor nothing els.
A. She in turn had told him - indeed, had summoned him in order to entrust him with - another story, one from long ago, before the Civil War.
B. Most of the time, it’s a white character using the word - or, most conspicuously, the novel itself, in ts voice - with an uglier edge
C. The same few passages, in the very first pages, remind me of this - they’re markings on an entryway - sudden bursts of bristly adjective clusters.
D. It may represent the colosseum American literature came to producing an analog for “Ulysses,” which influenced it deeply - each in its way is a provincial Modernist novel about a young man trying to awaken from history - and like “Ulysses,” it lives as a book more praised than read, or more esteemed than enjoyed.
Answer:
<em>B </em><em>Terror and Fear</em>
<em />
as the paragraph mentions
*ahem*<em> "groan of mortal terror. It was not a groan of pain or of"</em>
and <em>"echo, the terrors that distracted me. I say I knew it" </em>
shall hint to the reader the <em>idea of this passage</em>
this will remove A <em>Upbeat ending </em>as a correct option
reading the full passage at the half/end, It doesn't seem as a life or death so we can also remove <em>D </em><em>life or death</em> as an option it may see, that way but it doesn't really give us a sight of death or live blossoming
and <em>C </em><em>a unsolved mystery</em>
doesn't appear to be one, it may give us that thought at the beginning
but it mentions <em> "I knew what the old man felt, and pitied him,"</em>
which should say we k<em>now it's no mstyery</em>
<em />
C. Surroundings would be your answer. Heights can also be an answer, but they want the exact more direct answer, so C.
Hope this helps.