Answer:
The "trap of deification" as referred to in line 85 is the limitations imposed by a belief in one's own superiority.
Explanation:
A deity in this context refers to divine status, quality or nature.
Therefore, the trap of deification as shown in line 85 is simply the limitations that is brought about by a belief in one's own superiority over others.
To think of oneself above others and to subjugate others to the role of "lesser humans" is an act of limiting one's self and falling in the danger of "trap of deification"
One of the main ways in which each main character represents another facet of Hugo’s view is that each character comes from very different backgrounds, meaning Hugo is able to use multiple "lenses".
Silas was : A linen-weaver who, as a young man, is falsely accused of theft and thus cast out as a scapegoat from the close-knit church community of Lantern Yard. He settles on the outskirts of the village of Raveloe, his faith in both God and humanity shattered by his experience in Lantern Yard. He quietly plies his trade, an odd and lonely stranger in the eyes of the villagers. Marner is the quintessential miser in English literature, collecting and hoarding the gold he earns at his loom. In the course of the novel his gold is stolen. Some time later, he finds a baby girl, Eppie, asleep at his hearth. His love for this golden-haired foundling child-who, in the novel's most famous symbol, replaces Marner's beloved gold pieces in his affection-facilitates his return to faith and humanity.
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