That is called exaggeration, the mile high ice-cream can not be a thing, therefore you were exaggerating .
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For instance, when we feel threatened by something, the initial emotion is labeled “fear." That fear, by means of hormones, results in the production of fight-or-flight responsive feelings, allowing our body to react quickly and appropriately for its own self-preservation. This emotional reaction happens suddenly and unconsciously. Then, usually after an extremely short period of time, we become aware of those changes. We become aware of them only after responsive hormones have entered our bloodstream and we experience them as a feeling of being frightened or perhaps inferior. - Forbes Magazine Article
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I hope this helps!
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c
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it's the only sentence that makes sense tbh
For the first one, I would start by mentioning the characters crime, add something about how it was inexcusable, then incorporate a condensed precis on the characters situation (leaving out any bits that could embody the characters freedom). And end with a statement that discloses that your appeal is unarguable because (enter main argument here) and that is why so and so should be imprisoned.
<span>For the second question, I would personally choose the feminist because it would in theory be easier to explain their basic philosophy and how it is affecting the plot. Because I don't know who the character is, I can't really elaborate further. But please contact me if you need any more help, I'll do what I can. </span>
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What is a novelist's obligation to the truth? The very word fiction implies untruth. When children read or hear a story that frightens them, they're told not to worry because “it's not true.” But for many stories to work, one has to suspend disbelief. So the essence of a novel appears to be something dishonest.
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