Answer:
<u><em>I believe it is C.</em></u>
Explanation:
While it is important to see the faces and frontal body of the paintings as it would have been informative, they aren't the most likely. As for the first one, A is just false- this is because the paleolithic age came before the Neolithic age, I such they made paintings in caves as well. Therefor, it wasnt the first paintings of or by humans.
One could use the above process of elimination to find the answer, or you could simply find that the Neolithic age (or the New stone age) was the era when humans began the art of agriculture- growing their own food, settling down, making bigger "clans" or groups, and staying alive longer.
Hope this helped! Brainliest is always appreciated! :)
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~Mitsuna
Answer: D. While Renaissance artists often captured the moment before something happened, Baroque artists sought to capture the moment when something happened.
Explanation:
The Renaissance period lasted between the 14th and 17th centuries and saw the revival of European art following the upheaval of the Middle Ages. Renaissance art was described as being calm and this is mostly down to the artists then, capturing the moment before something happened.
The Baroque period came after the Renaissance and the art was full of drama owing a lot to the tendency of the artists to paint a picture of the moment an event happened thereby capturing all the action.
Thick texture because texture has nothing to do with music
Into Bondage is a powerful depiction of enslaved Africans bound for the Americas. Shackled figures with their heads low walk solemn toward slave ships on the horizon. Yet even in this grave image of oppression, there is hope. In a gesture foreshadowing freedom from slavery, a lone woman at left raises her bound hands, guiding the viewer's eye to the ships. The male figure in the center pauses on the slave block, his face turned toward a beam of light emanating from a lone star in the softly colored sky, possibly suggesting the North Star. The man's strong silhouette breaches the horizon line, communicating strength and optimism. Concentric circles—a motif frequently employed by Aaron Douglas to suggest sound, particularly African and African American song—radiate from a point on the horizon.
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