Rondo forms in the classical period are most often found in option (d) i.e, final movements.
A rondo is an instrumental form in music that consists of the initial articulation and subsequent restatement of a particular subject or piece, separated by opposing material.
A sonata, concerto, symphony, or another multi-movement piece typically ends with a rondo as the final movement. Although the structure of a rondo is quite simple, the variations that composers choose to employ that form in are frequently complex. A melody is repeated in each rondo, with contrasting musical passages in between.
The two most common forms of a rondo are the 5-part version and the 7-part form. The 5-part form generally uses the pattern ABACA, but the 7-part form typically uses the pattern ABACABA.
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Answer:
Authenticity
Authorship
Originality
Explanation:
In the terms of art history, appropriation is the practice in which the artists transforms some or the entire part of the art. The questions of originality, authenticity and authorship are raises in appropriation art. Appropriation artists are not listed under the act of stealing or plagiarizing. The art is presented in such a way that it brings the original art in associated to it.
My answer is: <span>C. At least two parallel groups of upright flowering branches used as line materials.</span>
Answer: C. artists and observers have varying ideas of what art is.
Explanation: Everyone has varying opinions on what is classified as art. The subject matter is often taboo as artists try to push the limits and test boundaries.
Answer:
4. a diffusion of the style into every corner of Europe
Explanation:
The middle baroque was characterized by a diffusion of the style into every corner of Europe
The most characteristic of baroque music is its use of bass continuo and baroque style flourished in music during 1600 to 1750 but the middle baroque period spanned the years 1640-1700 in which this era of baroque was defined by the emergence of the vocal styles of cantata,oratorio and opera, the composer in the middle baroque phase favored writing composition for instruments of violin family.
