In the saxophone style of Ornette Coleman, he projected an individualized sound which was similar to early blues, as the artist was not adept at using other musical instruments such as guitar and piano, pioneering a style known as Free Jazz.
Free Jazz was a style of Jazz that did not need pre-arranged harmonies and did not follow musical rules, making it possible to improvise and create new solos and accompaniments.
Therefore, Ornette Coleman was a pioneer musician of the Free Jazz style, as he used his relative pitch, his sense of harmony and chord progression more flexibly without following pre-established rules.
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As a teenager, Klee’s attention turned from music to the visual arts. In 1898, he began studying at the Academy of Fine Arts in Munich. By 1905, he had developed signature techniques, including drawing with a needle on a blackened pane of glass. Between 1903 and 1905, he completed a set of etchings called Inventions that would be his first exhibited works.
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Created using the same state-of-the-art technology that made the original Venova a hit, the Alto Venova has a larger body and uses an alto saxophone mouthpiece and reed. This gives the wind instrument a rich and mellow tone.
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