In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
Answer: the poem seems unplanned and chaotic.
In "Poem," author Muriel Rukeyser tells us that she "lived in the first century of world wars." The main idea of the poem is how this was an era of madness ("I would be more or less insane," "more or less mad for similar reasons," "a nameless way of living," "unimagined values," "the lights darkened... the lights of night brightened"), and how the people were deeply affected by this madness and by the wars. The fact that the poem is written in free verse contributes to this mood of confusion by making the poem seem unplanned and chaotic.
A)
It alludes to the biblical story of Lazarus, who
tamously was risen from the
dead.
It reverses biblical ideas, calling the Bible itself
into question as a religious
text.
B)
9
It portrays the religious teachings given to the
chimney sweepers to be
empty and of little real value.
D)
It has no connection to the Bible, as a work of
fiction from 19th century
England was unlikely to draw from the Bible.
It’s answer c
It was D desire for money. As it says “caprice of a well-fed man; on the lawyer’s pure greed of gold.” This shows he was out for money.
