Answer:
The following work tries to constitute a study on the adaptation of the novel Dracula by
Bram Stoker (1897) made by Francis Ford Coppola in 1992. With the intention of making
a study as complete as possible, which addresses the different points of view about
This phenomenon will be taken into account by different authors who deal with issues such as fidelity,
intertextuality or extratextuality and semiotic transduction, illustrating through their
proposed the processes that lead to modify or maintain the different aspects of the film
of the novel.
Before starting, it is convenient to make an approach to the various investigations
carried out in the field of adaptation, as well as the current state of the matter. For it,
use as a basis the film adaptation in the light of some theoretical contributions
Recent and On rewriting and related notions. A state of affairs, articles by José Antonio
Perez Bowie1
. Film adaptation is a complex phenomenon that has been studied since
different perspectives, so that today we can find many jobs
important about this phenomenon. Among them is the exhaustive work of
research by Michel Serceau, who compiles the above theories to
arrive at a proposal that manages to analyze the adaptation in a complete way, addressing it
from all possible perspectives.
At first, scholars such as André Bazin defended the primacy of the text
literary about his film adaptation. The film work was considered as an entity
dependent on its base text and, therefore, only its relationships with
regarding that one. From the 80s, following the trail marked by semiotics, thus
As with previous studies by Dudley Andrew, studies on adaptation focus on
the discursive elements of the source text, leaving aside the primacy of the elements
narratives. This means that, for example, Gianfranco Bettetini considers that for
To carry out a study on adaptation, it is necessary to consider whether it is faithful to the
base text, but also to its environment, its values, its ideology ...
As we can see, the advance of literary theory has supposed, in parallel, an advance in the
adaptation theory, as the case of Patryck Cattrysse illustrates well. The author is inspired by
Bowie: “The film adaptation in the light of some recent theoretical contributions
Explanation:
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