Answer: The question is confusing, ask your teacher to brake it down for you.
Explanation:It always helps
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
Answer:
the architecture had a sense of transparency
Explanation:
I believe the correct answer is: Apollo.
The pediments of the Temple of Zeus at Olympia are some of the best surviving examples of early Classical Greek sculpture which were completed in 460 BCE. On the west pediment ('centauromachy' – battle between centaurs and the Lapiths) Zeus stands in the center on the east and Apollo on the west. But, Apollo is the deity who brings order to the scene as he is a deity promising to restore order as the deity of rationality and self-control.
