My favorite memory is when my father was completing his work Objective by Evaluating the Synthesis of chemical compounds and Modifying them, to create an experiment with Independent and Dependent variables. I had come into his office to work on English homework. I was working on Clauses. When I asked my Dad what he was mumbling about he said that the compounds were Indivisible, and that he needed to Eradicate one of the variables, and that the Eradication of one of the variables was Imperative to how well the experiment went. This is my favorite memory because we got to work together.
P.S you can use this as your own if you'd like.
Answer:
Dickinson writes with creative punctuation.
Answer:
Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.
The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.
Answer:
She understands that her hair can prevent her from helping her family and that is why she starts to change her thoughts about her hair.
Explanation:
This question is about "The Breadwinner"
Parvana needs to cut all her hair and although it left her unsatisfied in the beginning, she understands that this is the price she must pay to help her family and that hair is no more important than the family she loves. This is because Parvana lives in Afghanistan who lives under the Taliban regime, which oppresses and does not allow women's freedom. Parvana is primarily responsible for supporting the family and therefore needs to cut her hair and pretend to be a boy in order for the Taliban to allow her to continue working to support the family.
