What statements apply? can we get them
Answer: Hassan and Springdale Athletic Club are the proper nouns.
Explanation:
This sentence uses the persons name and the name of the club instead of just saying " The person went to the athletic club." Remember proper nouns are like saying a persons name and saying the full name of a club or place.
Answer:
1. Jim wants to know if you're coming to his party tonight.
2. Tom, Colin wants you to bring those boxes (please).
3. Steve wants you to come with him.
4. Soldiers, the commander wants you to listen to him.
5. Jeff told me he has a lot of work to do.
6. Edna thinks it would be a good idea if we take a taxi home.
7. Helen wants to go for a walk in the country.
8. She wants to know if you made the sandwiches.
<span>August's parting words to Lily are, "There is nothing perfect. There is only life." I think this means that life is not perfect, and that you have to learn to accept the eb and flow of how things go. Things will not always how you want them to be, but you can always try to make the best of it.</span>
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.