Answer:
(B) Classical music’s current meager popularity is attributable to the profusion of other genres of music available to listeners.
Explanation:
The 21st century for classical music presents itself with a profound and complex problem: the acceptance of classical music composed today. Repeating old and accessible buzzwords results in momentary and ephemeral successes. Giving free access to an airtight conception results in contempt. In fact, unlike the early twentieth century, when tumultuous premieres of works such as Stravinsky's Rite of Spring or Parade de Satie even had police intervention, today's public reacts the worst way to a work they don't like: If there is success there is ephemerality If there is a complex thought there is contempt Difficult life of the classical composer of the last 50 years Rudolph Reti (1885-1957), Serbian musicologist and pianist (It was the pianist who debuted the “3 pieces for piano opus 11 ”by Schoenberg”) in his 1956 book “Tonality im modern music” - Collier- NY - has a kind of re He has a different approach to musical aspects, and his term “Pantonality” seems to be very appropriate, since his view, which is not tied to dogmas, is extremely convincing. Far from any kind of ideology we have seen solid and consistent works emerge. Undoubtedly there is something of Pantonal in three great composers of the late twentieth century: Witold Lutosławski (1913-1994), Gyorgi Ligeti (1923-2006) and Olivier Messiaen (1908-1992).
This “pantonal” way of expressing itself, without dogma and shortcuts, seems to guarantee greater perpetuity. At least this is the case of these last three composers I mentioned. I confess that I have reservations about the commercialism and obviousness of contemporary works such as Philip Glass's Symphonies, or even Penderecki's “neo-Bruckner” style, but I see with extreme optimism, for example, the skillful manner in which the Englishman Thomas Adès ( born in 1971) deals with the consonance. The same is true of Frenchman Thierry Escaich (born 1975). His 2012 opera “Claude” is testimony to that.
Once again to paraphrase Schoenberg's phrase, shortening it:“ There is still a lot of good music to be composed. ”Let it be tonal, atonal, serial, pantonal, random, whatever, but good. stylistic design of our time is both fearful and fascinating.
Answer:
DM<em> (Duple Meter)</em>
Explanation:
The question above is related to the topic on "Rhythm." Rhythm gives music its life because it ensures that it is in a regular flow. <em>Nodding your head</em> to the beat of a particular song is rhythm.
One concept note under rhythm is "meter." This refers to<em> the groups of beats in a measure. </em>
The three basic rhythms in music are: <em>duple, triple and quadruple.</em>
"Lupang Hinirang," the Philippines' national anthem, follows the duple meter. It means,<u> it has two beats in a measure.</u> It was composed by <em>Juan Felipe. </em>
Nevertheless, when the anthem is sang, it follows a<em> quadruple meter</em>.
Answer:
Explanation:
Elements of Impressionism
1. Momentary Slice of Life
2. Effect of light on color
3. Limited Use of Black Paint
4. Juxtaposed complementary colors
5. Compositions with cropped edges and unusual angles
6. Inspired by the Parisian middle class, or bourgeoisie
Post-Impressionism
A late 19th century artistic movement that extended the boundaries of Impressionism in new directions to focus on structure, composition, fantasy, and subjective expression
The sun because that's what the main focus should be.
