Answer:
Siegfried Sassoon attempt to provoke angry and compassionate through his poems of the First World War. This provocation brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirized generals, politicians, and churchmen for their incompetence and blind support of the war. His later poems, often concerned with religious themes, were less appreciated, but the autobiographical trilogy The Complete Memoirs of George Sherston won him two major awards.
Answer:
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<em>Showing not telling.</em>
Explanation: [I'm 13 btw]
As a young writer, I've experienced difficulty with this ''show not tell'' thing, I'm still experiencing difficulty with it till this day. But now it's a lot more easier to describe the five senses (what the characters smell, hear, or what the characters see), how a particular place looks like, or how the characters feel throughout each scene.
Showing instead of telling can help the readers reflect what the characters are feeling. Whether they are sad or angry, happy or disappointed, showing is better than telling.
I'll give you an example:
<u><em>Telling:</em></u>
Jane is feeling hot.
<u><em>Showing:</em></u>
The atmosphere of the room was so thick, that sweat showered Jane's hair, her clothes were slightly damp, as she paced up and down her room.
It's better when there is more action described than dialogues. Yes, dialogues are important, especially when characters use them... But try not to overuse it. Otherwise there is a lot more telling than showing. Try to mirror the emotions to your readers. This way your readers won't fall in a long slumber.
<em>~May it help~</em>
