Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
A literary genre is a category of literary composition. Genres may be determined by literary technique, tone, content, or even (as in the case of fiction) length. The distinctions between genres and categories are flexible and loosely defined, often with subgroups.
A. Yes, you must turn off the radio. / No, you need not turn off the radio.
B. Yes, he will come to the prize giving. / No, he won’t come to the prize giving.
C. Yes, they want a lift from us. / No, they don’t want a lift from us.
D. Yes, I can write a report for you. / No, I can’t write a report for you.
E. Yes, you should visit him in the hospital. / No, you shouldn’t visit him in the hospital.
I would say touch would be chur answer i hope this helps chu
S = Janelle
V= offered
IO =Jennifer
DO =ride
