A scene can mean two things. A scene can be the setting of a story, or (what I think you are referring to) it can be a segment of an Act of a play. A scene separation within a play is usually included in order to allow time for a change in setting during the performance. A chapter is a segment of a book. So, to summarize, a scene is a segment of a play and a chapter is a segment of a book.
Answer:
A. digital use and C. web use
Explanation:
RGB is best suited for digital/online/web use, while CMYK is better fit for physical prints.
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
Answer:
Looking at both Geometric art pieces you can tell by the designs and the shapes that it has Greek Geometric art. The drawings on the Geometric art come from Greek roots showing that it does have Greek characteristics. The drawings on picture 2 tells a story in Greek and picture 1 has similar drawings and colors. Both pieces are obviously have noticeable characteristics of Greek Geometric art. Picture 1 looks like a hybrid of a human and a four legged animal while picture 2 is a vase with drawings on it. Bothe pictures have their own history and background but they both also tell their own story. Geometric art was a way that Greeks kept stories or symbols of something that happened.
Explanation:
I'm not 100% sure if it's correct but I tried my best to understand and answer your question with what I know about the topic. I apologize if it's wrong.