Answer:
D
Explanation:
Internal rhyme is a poetic device that can be defined as metrical lines in which its middle words and its end words rhyme with one another. It is also called “middle rhyme,” since it comes in the middle of lines.
It helps you and develops your skills.
Answer:
Lindbergh book was a chance for women to think outside the box, in 1950.
She instigates the reader to confront the unknow, so that he or she can experience new things.
Explanation:
In her book Lindbergh talks about relationships, specially marriage, and how women could be more than just a housewife, and how would be healthier for married people to be able to develop their own individuality.
When she instigates the reader to confront the unknown, it is a powerful and positive thing to do, because when we explore new things our lives change. Our horizon expands and our minds become more inclined to accept new things.
The unknown might seen a little bit unconfortable in the beginning, but then, it shifts us. Narrowmind thoughts are no longer allowed and we are suddenly susceptible to new points of view. For instance, a very simple example is a place or city that you had never being before, in the first moment you might not like it, but as soon as you start exploring, knowing and learning about it, you will be surprised with the amount of great stuff you will experience.
The best conclusion is Lindbergh conclusion, "the unknown is not to be feared". She is right. We should be delighted by the unknown, the expectations, the mistery behind it. That is the beauty of life. That is what makes life spontaneous and amazing. We never have the same day twice.
Chaucer’s original plan for The Canterbury Tales was for each character to tell four tales, two on the way to Canterbury and two on the way back. But, instead of 120 tales, the text ends after twenty-four tales, and the party is still on its way to Canterbury. Chaucer either planned to revise the structure to cap the work at twenty-four tales, or else left it incomplete when he died on October 25, 1400. Other writers and printers soon recognized The Canterbury Tales as a masterful and highly original work. Though Chaucer had been influenced by the great French and Italian writers of his age, works like Boccaccio’s Decameron were not accessible to most English readers, so the format of The Canterbury Tales, and the intense realism of its characters, were virtually unknown to readers in the fourteenth century before Chaucer. William Caxton, England’s first printer, published The Canterbury Tales in the 1470s, and it continued to enjoy a rich printing history that never truly faded. By the English Renaissance, poetry critic George Puttenham had identified Chaucer as the father of the English literary canon. Chaucer’s project to create a literature and poetic language for all classes of society succeeded, and today Chaucer still stands as one of the great shapers of literary narrative and character.
