Answer:
While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
Explanation:
Answer:
antony sends his servant to respectfully tell Brutus that
Antony loves and honors him, as he did Caesar. Then
the servant says that if Antony can safely come and
inquire about Caesar's death, then Antony will be loyal
to Brutus.
Explanation: let me know when you get right
in please just say thanks
The correct answer for this question would be the third option: HUMOR. Based on the given excerpt above from chapter 23 of The Adventures of Huckleberry Finn, <span>Twain uses HUMOR to convey how ridiculous the king looked on the second night of the show. Hope this answer helps. Have a great day!</span>
