One evening I was walking toward the edge of the lake in a swirling snowstorm. I was all alone. I couldn't see very far ahead. All of a sudden, I heard the hoot of an owl, I think. I jumped at the sudden noise, checking my surroundings in a spontaneous fear of something watching me. Then, I shuttered in fear. My gaze was locked toward two big yellow eyes. I..I couldn't speak. I just watched it. It stayed there for a bit, watching me. Suddenly, it lifted up in a fast motion and went up the trees. Fight or flight kicked in, and I ran back home. By the time I made it, my legs were sore and it was 4:32 PM. I shrugged it off as an owl just coming out to find food. Even though it was the middle of winter..during a snowstorm..when it should be hibernating- What am I talking about?
Monsters don't exist! ...
R-Right?
The answer is
A
I know this because it has the same sound throughout
The poems “We Real Cool” and “The Negro Speaks of Rivers” use a viewpoint that is unusual in this unit. The unusual viewpoint is this: Both Brooks and Hughes are calling for a change in the lives and attitudes of their fellow African-Americans - and they have to do it. These types of positive pieces of art might well have been essential pieces to unite the black community in the call for civil rights.
Explanation:
In this literary composition, the perspective is that of a Black person who claims his race and takes pride in its heritage. Hughes himself wrote that he boarded a train and looked out the window at the massive, muddy river. As he watched, Hughes mirrored upon the tragic history of slaves being sold-out down this mighty stream, he recalled the opposite rivers of blacks' history: the Congo, the Niger, and also the Nile. "I've understood rivers," he then thought. His literary composition has the perspective of the soul of the Negro; that's, a racial soul that courses throughout time. victimization the primary person closed-class word "I," Hughes writes of the historical association of the Negro likewise because of the non-secular expertise nonheritable because the speaker connects to the 3 African rivers in associate extended metaphor:
Reading titles and headings in order to get an overview of what lies ahead in a reading passage is called surveying.