In the beginning of the story, the author seems to describe the way of life for a lower class person. He describes the way of life that he lived to say it wasn’t much different from those who were in a higher class than he. They suffered more with the transition that happened during the Depression.
The middle of the story the author talks about the ease for him to find the essentials to survive the Depression. He also talks about how it affected the publishing of his books, the jobless community, and the way the new and old members of the lower class took care of each other.
In the end, the author describes the lifting of the Depression. How he got his books to finally be published and selling. He tells what he did with the profits from his writings. He had money but still seemed humble. He had friends in low and high places no matter the amount of money he had. He described a Stock Market environment after the Depression.
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Answer:
B. the correct answer is B.
Explanation:
Answer:
You can use the RACE method
Restate the question
Answer the question
Cite evidence
Explain in detail
Answer:
A: Mocking to earnest: while the author ridicules the oracular woman, she assumes a serious tone when describing the woman of culture.
Explanation: In the first two paragraphs, the author’s contemptuous attitude toward the “oracular literary woman” is apparent. The author describes the behavior of such women as “the most mischievous form of feminine silliness,” and lines such as “she spoils the taste of one’s muffin by questions of metaphysics” clearly portray the oracular woman as an object of ridicule. On the other hand, when describing the “woman of true culture,” the author adopts a more earnest tone as she paints the virtues of this figure—her modesty, consideration for others, and genuine literary talent—in idealized terms. A writer’s shifts in tone from one part of a text to another may suggest the writer’s qualification or refinement of their perspective on a subject. In this passage, the author’s sincere, idealized portrait of the woman of true culture plays an important role in qualifying the argument of the passage: although the author agrees with the men in line 41 that the “literary form” of feminine silliness deserves ridicule, she rejects generalizations about women’s intellectual abilities that the oracular woman unwittingly reinforces. Embodying the author’s vision of what women could attain if they were given a “more solid education,” the figure of the cultured woman serves to temper the derisive (mocking) portrayal of women intellectuals in the first part of the passage.
I would say C because the two different parts of the family.
