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3 years ago

All of the following are examples of Intaglio printmaking, except which?

Arts

2 answers:

Umnica [9.8K]3 years ago

8 0

Answer:

linocut

Explanation:

Intaglio engraving is the process of engraving where the drawing image is position below the flat printing surface. Artists draw the image on the plate by engraving it. Sunken points are the ones holding the ink. The plates used are flat and are usually out of copper metal. The techniques which are under the intaglio engraving are etching, drypoint, aquatint, and mezzotint – all have the same process, with different materials and details.

This is the opposite process from relief printing. In it, the image is created again by drawing on the flat surface, but drawing the blank areas – the ink is put on the raised surface and printed on the paper like a stamp. This is the older printing method. It includes few techniques. One of the relief printing techniques is linocut.

masha68 [24]3 years ago

3 0

I think the answer is linocut :))

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Both free-standing sculpture and reliefs are sculpturing methods, done in various materials, trying to make covey artistic impressions in a three-dimensional method. Relief is a technique in which the statue is attached to the background plane. A free-standing statue (as suggested by its name) exists without the back support and can be sculptured and seen from all angles.

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Additionally, reliefs are an excellent way to make an art piece in which light and shadow take an important part. As they have background elements on which the shadows can be seen, by making the different texture of relief, these can be an important part of the impression of the art piece as its seen by the observer, making natural elements a crucial part of the design itself.

The drawback of the relief compared to the free-standing statue is that it can’t give a full impression of three-dimensionality. It still has its background that it is attached to, and it can’t be seen separately, in free space, from all angles, and as a real body in the space. This element also can make relief harder for transportation and movement – reliefs have historically been the part of the architecture of the buildings itself, and if they want to be preserved and displayed in the museum, they have to be cut from their background. On the contrary, the free-standing statue can be transported separately and without any additional operations.

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