Answer:
there is no definite answer to this, as there are a plethora of ways people begin the writing process!
some examples of this are:
- outlining your piece or brainstorming
- find inspiration
- write a synopsis (brief summary of your ideas)
Explanation:
again, there's no definite answer to this question. everyone writes differently. however you begin writing is your own unique way as well! these three are just general ideas. your beginning may actually become your end, your end may become the middle. as long as you are approaching your work with an open mind, you're good to go!
B) Contentment is not associated with Theater of the Absurd, while anxiety and wonder, bewilderment are.
listen in a country boy born in Fresno raised in Miramonte C.A I always dreamed of living in cities so when I got to turn like 14 I went to live with my aunt in Minneapolis this is in no way a big city and it doesn't have the sentimental feel ..what I'm trying to say here is that I went to visit my grand father in brooklyn and it blew me away the city experience depends on what uve saw and what u havent seen for instance people that live in nyc say its normal but to meit was amzing...although its no my fravorite if in had to choose it woul be these three charlotte atlanta or san francisco the best cities ive been to...when I turn 18 im definetley going back to san francisco but my home will alawys be ontop of mount miramonte at the end of the day its all based on your prefrence
<span>Puck's mischievous personality is the source of almost all of the story's confusion and humor. </span>
Answer:
wrote a little on one poet/poem regarding the war. hope this helps?
Explanation:
Wilfred Owen's "Dulce et Decorum Est" destroys the twentieth century's habit of romanticizing the war, instead describing the brutal and harsh realities of life at war. From the very beginning of the poem, Owen describes the soldiers as fatigued and weak from battling: "All went lame; all blind; / Drunk with fatigue" (6-7). These men aren't describe as valiant heroes who are saving their country; they are "old beggars" (1), "hags" (2) and "blood-shod" (6). Owen uses words of tiredness and ragged appearance to emphasize how exhausting the war is, due to the soldiers having no time to rest before the next attack hits. Owen begins to describe a gas attack on the group of soldiers and how one man was not quick enough to escape the gas's deadly and cruel effects; the body was "yelling" (11), "drowning" (14), "writhing" (19) in pain due to the gas. The act of watching someone die in this devastating way leads the speaker to experience PTSD, saying, "In all my dreams before my helpless sight, / He plunges at me, guttering, choking, drowning" (15-16). The speaker cannot erase the images of war from his mind; he will forever see that man choking on the gas, the man's body deforming in front of him. Since the use of "poison-gas" (Poetry Foundation) was real during WWI, and many soldiers probably experienced PTSD, Owen uses this story in his poem to explain the realities of the soldier's position. They do not come out of the war valiant heroes who are happy to have served their country; the ones who survived are physically and/or mentally crippled for the rest of their lives. To complete his cautionary tale to those who romanticize the war, Owen ends the poem with "Dulce et decorum est / Pro patria mori" (27-28), which translates to “It is sweet and fitting to die for one’s country.” Owen refers to this phrase as "The old lie" (27), suggesting further that war, in reality, is not how the British make it appear.