Answer:
B. Summarize the colors in a limited number of tones that represent the full range
Explanation:
Las estatuas han sido un elemento constante en muchas culturas y sociedades. Con ellas, imitando modelos reales, se intenta evocar a dioses, personajes, o conceptos como la libertad y la justicia.
Answer:
Elements of art are stylistic features that are included within an art piece to help the artist communicate. The seven most common elements include line, shape, texture, form, space, colour and value, with the additions of mark making, and materiality.
Explanation:
Answer: True
Explanation:
The primary function of ERS is to light up specific proximity and they are used for spotlights. They can form a small sharp circle in a certain place.
- ERS (Ellipsoidal reflector spotlight) can be used with a metal gobo and glass gobo.
- Gobos are used with them to change the pattern or sample of the light. They are often used on the stages.
Answer:
Mannerism is the name used to designate artistic manifestations from 1520, when the Renaissance crisis began, until the early seventeenth century. This whole period was marked by a series of changes in Europe, involving the reformist religious movements and the consolidation of absolutism in various countries.
The wars involving Italy and later the force of the Inquisition will determine a great exodus of artists and intellectuals toward other countries; "Great empires are beginning to form, and man is no longer the main and only measure of the universe."
In this sense it will be realized that mannerism has varied characteristics, difficult to gather them and a single concept.
The term Mannerism was used by Giorgio Vasari to refer to the "way" of each artist to work. An obvious tendency for over stylization and a whim in detail are beginning to be his mark, thus extrapolating the rigid lines of classic canons.
Many critics consider that mannerism represents the opposition to classicism and at the same time remained an artistic trend until the development of the Baroque, which would mark the new artistic vision of the Catholic Church after the counter-reform movement. Some historians consider it a transition between the Renaissance and the Baroque, while others prefer to see it as a style itself.
Artists began to create an art characterized by the deformation of figures and the creation of abstract figures, where there was no direct relationship between the size of the figure and its importance in the work.
