Gilda says: “The shows look at different aspects of textile art and what inspires the work.”She explains that her family “always had a sewing machine in the house” and by the age of 12 she decided to go to technical college to study wholesale dressmaki“My parents didn’t want me to end up working in a factory,“ Gilda recalls, “but I was obstinate and decided to do what I wanted to do.”At 15, Gilda was making sketches for bridal gowns. She went on to teach fashion, and 14 years ago started doing landscapes using batik, appliqué, plus hand and machine stitching.Gilda Baron<span>“I didn’t go to art school, so I didn’t consider myself to be an artist but people keep telling me my work is good, so I do think of myself as an artist now.”
That was all I could find.. hope to be helpful! =)</span>
Answer: Sure
Explanation: Whats wrong?
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
Answer:
The correct option of the given question is (D) All of the above.
Explanation:
McMansions are houses that are fairly large in size. These were built with low-quality materials depending on an individual's taste or wealth. Their size and certain physical features distinguished them from other buildings in that area.
In the 1980s and 1990s, these mansions became quite famous. Everyone in that era desired to have such houses. These were built in such a way that the house looked very expensive than usual.
<span>The best were found in ancient Egypt
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