Ambition does not lead to happiness.
In essence, the directorial concept or 'vision' is how the director envisions the play. This begins as a written idea before being realised through the elements of production, namely the set, costumes and lighting. In effect the directorial approaches are the ways of realizing the themes enacted on the stage. In the first thematic interpretation which suggests the first directorial approach, the play is looked at from the sociological perspective, as a study of the family.
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