The 3 differences between fine art and photojournalism includes Fine art represents an artist's vision and fantasy, Photojournalists have to follow guidelines on photo use and can manipulate cameras' technology to improve their images
<h3>What is F
ine art and
Photojournalism?</h3>
A fine art is an element of art that focus of an aesthetic value and beauty of the subject while Photojournalism is an element of journalism that uses an images to tell a news story.
Hence, the three differences between fine art and photojournalism includes:
- Fine art represents an artist's vision and fantasy
- Photojournalists have to follow guidelines on photo use
- Photojournalists can manipulate cameras' technology to improve their images
Therefore, the Option A, D and E is correct
Read more about Photojournalism
<em>brainly.com/question/2188544</em>
Answer:
weeeoow
Explanation:
There were a lot of ppl and I've never watched it, is it good?
Answer:
Done
Explanation:
At the point when you as a craftsman make work of art the standards of configuration become imperative to it. ... These standards are key in making a viably planned bit of craftsmanship. The most widely recognized plan standards are solidarity, accentuation, contrast, development, example, cadence, and equilibrium.
Answer:
try: unity
Explanation:
"UNITY. Definition. A principle of design related to the sense of wholeness that results from the successful combination of component elements of an artwork." -aGoogleSearch
Answer:
Yes
Explanation:
Adams helped found Group f/64, an association of photographers advocating "pure" photography that favored sharp focus and the use of the full tonal range of a photograph. With Fred Archer, he developed an exacting system of image-making called the Zone System, which described a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed in exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra Club. He was later contracted with the U.S. Department of the Interior to make photographs of U.S. National Parks. For his work and his persistent advocacy, which helped expand the National Park system, he was awarded the Presidential Medal of Freedom in 1980.
