Answer:
personally i wouldn't have let bro do that to me
Explanation:
that's just me tho
The goal of President Franklin Roosevelt's foreign policy focused on moving the United States from isolation to intervention. He started this movement cautiously by establishing diplomatic relations and opening trade markets with the Soviet Union and Latin American through the Good Neighbor Policy.
HOPEIT HELP YOU A LITTLE
The correct answer to this open question is the following.
Unfortunately, you did not attach the Federalist paper to properly answer your question.
However, trying to help you we can comment on the following.
George Mason’s essay about government differed from ideas expressed in The Federalist Papers in that George mason believed that the Federalists supported the creation of a strong central government that could have the risk to turn into a dictatorship, as was the case of the English monarchy. Mason was against the aggressions and aggravations committed by the English king and he did not want that for the American people. That is why he opposed the ratification of the Constitution under that strong federal government conception supported by Federalists like Alexander Hamilton, John Jay, and James Madison.
George Mason was an Antifederalist like Thomas Jefferson, and he firmly believed in a government that included many rights for the citizens.
Answer:
At the end of the nineteenth century, architects and fashion, graphic and product designers moved away from the floral curvilinear elements of art nouveau and toward a more <em><u>geometric</u></em> style of composition
Explanation:
The Art Nouveau style is characterized by the use of materials such as wood, glass, iron, and cement and its style was widely used in architecture, illustration, decoration, furniture. But perhaps its most striking feature is the presence of wavy and dynamic lines, in order to convey the idea of movement. His style is close to naturalist aesthetics which is composed of organic forms related to nature.<u> In a broader sense, it encompasses the more abstract and geometric patterns and rhythms that were developed as part of the general reaction to 19th-century historicism.</u>