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Readme [11.4K]
3 years ago
5

Summary of sophiatown​

Arts
1 answer:
Pie3 years ago
5 0

Answer:

Explanation:Sophiatown was a legendary black cultural hub that was destroyed under apartheid, rebuilt under the name of Triomf, and in 2006 officially returned to its original name. Sophiatown was one of the oldest black areas in Johannesburg and its destruction represents some of the excesses of South Africa under apartheid.

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How does Sofonisba Anguissola's<br> painting The Chess Game reflect<br> Mannerist conventions?
Lena [83]

Answer:

Because she painted an ordinary daily moment, contrary to the traditional religious themes or grandiose representations of the Renaissance period. Beyond this fact, there also technical conditions that classify this art as Mannerist, such as the uncared about the sense of beauty, the use of several perspectives points (different from the Renassaince art which uses only one), and the unconcern to proportions depicting tall, long and strange figures.

Explanation:

The better word to describe Mannerism is break up because it was a moment when artists attempt to be contrary to the traditional values incorporated by the Renaissance. Even using some of the features of Renaissance art, Mannerism creates a different art style with the use of colors that do not faithfully represent nature. The colors used in much of the mannerist works are cold, strange and artificial.

4 0
3 years ago
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In a major key, the minor diatonic triads are
Crank
The correct answer is option D (supertonic, mediant, and submediant)

In a major key, the supertonic and mediant triads (ii and iii) are minor, and the submediant triad (vi) is also minor. <span>The diatonic triads in the key of C major are typically identified with roman numerals as expressed in the brackets.</span>
4 0
4 years ago
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In which time period/movement was the painting, the stone breakers, created?
antiseptic1488 [7]
The Stonebreakers was made last 1849 by Gustave Courbet during the Realism time. The stonebreakers were represented by workers at that time in a monumental form. There were 2 peasant workers to express the hardship he was trying to portray.
4 0
3 years ago
​in both tempera and oil painting, the surface of the wood or canvas is covered with a ground of powdered chalk or plaster and a
Sophie [7]
It is known as Gesso
3 0
3 years ago
How does exposure to new ideas or cultures impact the evolution of art? Why does this matter?
DanielleElmas [232]

One of the great challenges today is that we often feel untouched by the problems of others and by global issues like climate change, even when we could easily do something to help. We do not feel strongly enough that we are part of a global community, part of a larger we. Giving people access to data most often leaves them feeling overwhelmed and disconnected, not empowered and poised for action. This is where art can make a difference. Art does not show people what to do, yet engaging with a good work of art can connect you to your senses, body, and mind. It can make the world felt. And this felt feeling may spur thinking, engagement, and even action.

As an artist I have travelled to many countries around the world over the past 20 years. On one day I may stand in front of an audience of global leaders or exchange thoughts with a foreign minister and discuss the construction of an artwork or exhibition with local craftsmen the next. Working as an artist has brought me into contact with a wealth of outlooks on the world and introduced me to a vast range of truly differing perceptions, felt ideas, and knowledge. Being able to take part in these local and global exchanges has profoundly affected the artworks that I make, driving me to create art that I hope touches people everywhere.

Most of us know the feeling of being moved by a work of art, whether it is a song, a play, a poem, a novel, a painting, or a spatio-temporal experiment. When we are touched, we are moved; we are transported to a new place that is, nevertheless, strongly rooted in a physical experience, in our bodies. We become aware of a feeling that may not be unfamiliar to us but which we did not actively focus on before. This transformative experience is what art is constantly seeking.

I am convinced that by bringing us together to share and discuss, a work of art can make us more tolerant of difference and of one another. The encounter with art – and with others over art – can help us identify with one another, expand our notions of we, and show us that individual engagement in the world has actual consequences. That’s why I hope that in the future, art will be invited to take part in discussions of social, political, and ecological issues even more than it is currently and that artists will be included when leaders at all levels, from the local to the global, consider solutions to the challenges that face us in the world today.

8 0
3 years ago
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