"The first of June! The Kings are off to the seashore tomorrow, and I'm free. Three months' vacation––how I shall enjoy it!" exclaimed Meg, coming home one warm day to find Jo laid upon the sofa in an unusual state of exhaustion, while Beth took off her dusty boots, and Amy made lemonade for the refreshment of the whole party.
"Aunt March went today, for which, oh, be joyful!" said Jo. "I was mortally afraid she'd ask me to go with her. If she had, I should have felt as if I ought to do it, but Plumfield is about as gay as a churchyard, you know, and I'd rather be excused. We had a flurry getting the old lady off, and I had a fright every time she spoke to me, for I was in such a hurry to be through that I was uncommonly helpful and sweet, and feared she'd find it impossible to part from me. I quaked till she was fairly in the carriage, and had a final fright, for as it drove of, she popped out her head, saying, 'Josyphine, won't you––?' I didn't hear any more, for I basely turned and fled. I did actually run, and whisked round the corner where I felt safe."
The second one is correct
He refused to sit on the chair that he made because the chairs were made of the hair of the king of Brobdingnag. In the 7th chapter, the King had shaved his hair and Gulliver had weaved the hair into chairs just to satisfy the Queen of Brobdingnag’s curiosity.
A villanelle is a formal poem using extensive repetition (C). It is highly structured and is a nineteen-line poem made up of two repeating rhymes and two refrains. Even though a villanelle now has a rigid structure, it did not start off as a formal poem with it strict structure. The villanelle originated in the Renaissance and was a Spanish or Italian dance song. The French poets named their unstructured poems villanelles. The villanelle was written mainly about rustic and pastoral themes.
