Answer:
In many of his works, Orwell describes the possibility of a future in which totalitarian states, independently of the ideology, exercise total control over the people, who instead of being citizens, become more like slaves.
A particularly scaring prospect is totalitarian control even over one's mind, because we as humans, assume that at least in inside our minds we will always be free.
This is actually one of the central premises of Orwell's most famous book: the dystopian classic 1984. In this work, the protagonist, Winston Smith, ends up becoming a slave to the totalitarian leader, Big Brother, not only because he is obliged to, but also because his mind has been so manipulated, that he willingly gives up his freedom of thought and becomes another drone of the system.
<span>Piggy stood outside the triangle formed by the logs as a sign of dissapproval,</span>
In the passage it says it was served for breakfast with cream and sugar
1. Why is the windstorm significant in the development of the plot?
The windstorm is significant in the development of the plot because it became the main reason why the sentries<em> (guards)</em> were blinded while they were digging up the rotting body of<em> "Polynices." </em>
2. What explanation does the guard give for its cause?
The guard explained that "Antigone" is the culprit behind the illegal burial of Polynices (<em>Antigone's brother).</em> After the windstorm passed, the guards saw Antigone and she also saw them. The guards said <em>she then cursed them</em> and started burying the body again.
Explanation:
Antigone is a character is <em>Greek mythology</em>. She is the daughter of Oedipus and <em>Jocasta/Euryganeia. </em>
Antigone only wanted his brother to have a<em> respectable burial</em>. Thus, when she was asked by<em> Creon</em> whether she knew<u><em> it was forbidden to mourn for his brother,</em></u><u><em> </em></u>Antigone immediately admitted and said that she believes in the superiority of the divine law over the human law.
Answer:
They did not know it was Carl Sandburg's putting London verdant on the potato plants
It is excerpt from Three Boys with Jugs of Molasses and Secret aspiring . And it includes beginning rhyme and echo .
