Answer:
Ngwalndu are huge, level painted appearances that line within the structure.
In spite of the fact that they are said to be portrayals of genealogical spirits, they can likewise be viewed as adapted ladies' bodies.
In any case, note that painting is a sacrosanct movement for the Sepik individuals, and the works of art of the Sepik individuals are paid attention to very.
Explanation:
The male-ruled tambaran or tambaram culture utilizes the haus tambaran as a gathering house and site for customs and inceptions. It is likewise utilized in revere for the yam faction, the yam being the staple nourishment for the Sepik individuals. The ladies serve fundamentally as preparers of dining experiences, outcasts, and observers. The monster soul, called Nggwal or Ngwalndu among the Abelam and Southern Arapesh people groups, is exemplified as clamors that can be heard originating from the haus tambaran. Nggwal is the essential predecessor divinity, however other social saints are additionally regularly delineated in social and holy expressions.
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