Freehand "Drawings" are used to supplement an oral description may be rough and incomplete.
Answer:
a. imagery from his nightmares
Explanation:
At the beginning of Surrealism, the paintings only had to do with the madness of the failed act. A common exercise among artists was to write a sentence on paper, the first one that comes to mind. He moved to another, with the paper folded so that he would not see what was written. And at the end of the page, crazy ideas came up and were soon painted on the pictures. Dali went further. With a little help from chemicals (opium and absinthe are said to be quite popular with the artists living in Paris at the time), he entered his deepest fears and traumas that were stored in his memories, as in a dream. And with the teachings of Sigmund Freud, he understood how his paintings should be painted.
Answer:
Eastern European- Russian origin
Explanation:
The Bulgarian ethnomusicologist- Béla Bartók determined that the Hungarian folk music used in the "classical" music of Debussy and Stravinsky were actually of Russian origin.
Bartók writes: “We must attribute these, with doubtless certainty, to the influence of some Eastern European—probably Russian—folk music. Similar efforts can be found in the works of Igor Stravinsky".
Bartók's groundbreaking work in the field of music along with his deep scientific research paved for new developments in the field of music.
The answer is:
A. Double Stops
Answer and Explanation:
A unique work has great value and meaning, since there are no copies of that work, it must be treated with great delicacy to preserve it. In addition, she must be admired with great concentration, paying attention to every detail, because as something finite, this work may not be observed again.
A work that can be replicated, on the other hand, has greater accessibility, is no longer something highly elitist and manages to reach people more democratically. In addition, its visualization can be milder, since the observer is more likely to observe it.
Therefore, I believe that the works that can be replicated are advantageous, mainly because of their ability to reach communities that do not have so much access to art.
