Answer:
William Blake was born in London on November 28, 1757, to James, a hosier, and Catherine Blake. Two of his
six siblings died in infancy. From early childhood, Blake spoke of having visions—at four he saw God ―put his
head to the window‖; around age nine, while walking dathrough the countryside, he saw a tree filled with
angels. Although his parents tried to discourage him from ―lying," they did observe that he was different from
his peers and did not force him to attend conventional school. He learned to read and write at home. At age ten,
Blake expressed a wish to become a painter, so his parents sent him to drawing school. Two years later, Blake
began writing poetry. When he turned fourteen, he apprenticed with an engraver because art school proved too
costly. One of Blake‘s assignments as apprentice was to sketch the tombs at Westminster Abbey, exposing him
to a variety of Gothic styles from which he would draw inspiration throughout his career. After his seven-year
term ended, he studied briefly at the Royal Academy.
Explanation:
The correct answer to this open question is the following.
In the process of creation, I think artists should follow a set of ethics because although the expression of art is subjective, it should respect the moral, religious, and belief systems of other people.
I know this is a complex and controversial subject because art is supposed to be a free expression of any topic, at the end, artists should be cautious of not offending "core" belief systems or critical issues that exist in society. Otherwise, people will be offended and can act against the artist or artistic expression.
So in conclusion, artists should follow a code of ethics. They can express criticism on any specific subject but that does not mean that they have to be rude or offend other people's ideas, culture, customs, or traditions.
Answer:heaped all his garnish
in the top right corner of the plate
Explanation:
Without choices, we are pretty much left on our own. So I will give you what I think and you can take from that whatever you think right.
This painting is filled with interpretable figures. Begin with something easy. Father time begins on the top right and his hand extends over to the top left. The question is what does he represent so much as why is he there? My best guess is that he is suggesting that the two main figures will age, and although they are erotic and desirable now, they soon will not be.
There is a woman on the right whose face looks like a mask. It looks like she will wear one of the masks on the right. Which one will she pick: the red one for warmth or the light colored one which matches the cold lust of the two main figures? We don't know.
There is a young woman who is 1/2 snake with an upper body of someone quite beautiful. I know what she suggests to me, but I don't want to color your opinion. I am a church going person. Consider what I might think. Her face is very innocent, but her body suggests something sinister.
The only one looking on in joy is the young kid behind Venus. He's full of innocence and laughter. If you didn't know better, you would think he's out of place. You're free to say he is. But he is holding what looks like rose hips to me and he's about to throw them on Venus. He is the only thing in the painting that is taking pleasure in what is going on. Contrast him with the figure in the upper middle to left picture screaming. He I think represents the other side of the young kid.
It's a real mixed bag of interpretation. Is this part of a school project? I can't imagine it being so, but I've answered what you asked.
The <span>
</span><span>the presence of purple i think it is
</span>
