In "The Problem that Has No Name," Betty Friedan talks about a problem that she noticed among housewives in the 1950s and 1960s. Friedan argued that, since the end of World War II, the myth of the perfect housewife had been publicized in America as the ideal woman. Society believed that for women to be happy, they needed to be restricted to the domestic sphere and had no public life. However, in this text, Friedan questions such assumptions. She argues that this trend left housewives bored, unsatisfied and unhappy. This was the "problem." She implies that gender equality is better, in the long run, at helping women achieve more happiness and fulfillment. The author's word choice is particularly important in this text, as many of the ideas and sentiments that she expresses were new, and therefore, had not been named before. Therefore, by naming them, Friedan creates a more persuasive text that accomplishes her purpose.
Shakespeare left it unclear, probably on purpose. They, themselves loyal to Pompei, are simply witnesses of the public's change of loyalty. They are also there to notice the crowd's frail affections. There is only one more mentioning of the two of them, later on in Act I, Scene 2, when Casca informs Cassius and Brutus that they have been "put to silence". It probably means they were killed or arrested.
Answer:
I believe it is participle.
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Answer:</h2>
2. naming the source of the quotation
4. using a darker font color
5. using a more legible font
6. increasing the font size
(Photo for proof at the bottom)
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Explanation:</h2>
Naming the source of the quotation gives credit to the person who said the quote. Making the font darker, larger, and changing it to something more legible are all things that make the quote easier to read. Cursive is not something everyone can read. The white text makes it harder to read because of the light color background. And of course, making the letters larger makes things easier to read.
Here's a photo of Edge, good luck.
