When the vowel starts with a suffix you drop the final E.
ex.
•love + able = lovable
•change + ing = changing
Alfred Doolittle is a smooth-talking garbage man, a serial monogamist (although he's not always really<span> married), a drunk, and a deadbeat dad. He's got a lot to say about "middle class morality" and complicated theories about the deserving and undeserving poor. He has principles, too, but they're not exactly conventional: he has no trouble milking five pounds from Higgins, but he doesn't want anymore than that. He wants just enough money to have a few drinks and some fun.</span>
In order to understand Doolittle, you have to understand how he speaks. This exchange is notable:
<span>DOOLITTLE ["most musical, most melancholy"] I'll tell you, Governor, if you'll only let me get a word in. I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.
HIGGINS. Pickering: this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. "I'm willing to tell you: I'm wanting to tell you: I'm waiting to tell you." Sentimental rhetoric! That's the Welsh strain in him. It also accounts for his mendacity and dishonesty.</span><span> (2.232-3)</span>
He is the sum of his mysterious speaking ability. You can describe what Doolittle's saying with all sorts of fancy Greek words, but it's enough to note how he repeats those three phrases that Higgins singles out, and how his speech is sort of singsong-y. Whether or not we believe what Doolittle's talking about doesn't matter, it sounds nice. These skills get Doolittle into trouble when Higgins nominates him for some such speaking position…and he gets it, along with a generous income. He can't handle all the money; he doesn't want to be "touched" – asked to spare some change – in the same way he touched Higgins.
<span>Doolittle demonstrates how powerful and potentially dangerous words can be. Lucky for us, his intentions are (mostly) honorable. He's the character most prone to lecturing – yes, even more so than Higgins – and though his theories may not be entirely logical, his little sermons do raise some issues regarding class relations. Think of him this way: he's a stereotype of a drunken poor guy…with an oratorical twist.</span>
Answer:
Precipitation brings the water back down to earth and the cycle repeats … the sun shines on the water and it starts evaporating again. This is why we call it the water cycle.Explanation:
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Answer:
Mrs. Schachter kept screaming "fire" even though she was getting beaten for it because she had foreseen what will happen to them, the Jews. She is like a warning for what will be the fate of the people and how most of them will end up.
Explanation:
The memoir <em>Night </em>by Elie Weisel tells the story of how the Jews were discriminated against and treated inhumanely by the German Nazis. The book became one of the most read and first-person accounts of the horrors of the Holocaust, one of the greatest genocide in world history.
Mrs. Schachter and the captured Jews were stuffed into the cattle cars and transported to other camps for their imprisonment. She was with her ten-year-old son. Along the way, she began screaming <em>"Fire! I see a fire! I see a fire! [. . . .] This terrible fire. Have mercy on me"</em>. This happened not just once or twice but more than thrice. She was badly beaten up for causing panic among them and was even gagged. But she kept on shouting about the fire.
Her 'vision' of the fire seems to be the<u> foreshadowing of the fate of the Jews</u>. Most of them will be put in the chamber and burned. She seems to foresee what will happen to them. And even though she was beaten up for shouting and claiming she saw a fire, she kept on repeating her claim to warn them of their fate, which, unfortunately wasn't understood by the people at that time.
