He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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Answer:
Proportion: certain objects are smaller than others to create depth; the objects are all relatively small and proportionate to each other. Composition: bolder colors seem to leap off the page, whereas lighter colors appears to fall back; almost all the objects are vertically (or almost vertically) placed so the eye travels up and down when looking at the piece; there is balance of shape and color. Answer will vary for the artist's message but should be backed by reason.
Explanation:
to make a border for a card or to make a letter for family or friends to make it a bit fancier. hope that helps:)
answer: i think indoor plumbing, sorry if wrong!
sorry for late answer:(
