Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
A philosopher mainly interested in social fields during the Age of Reason. His social contract theory still influences modern philosophy
There are many artistic tasks that the monks and nuns performed at the time. Here are some of such options:
1. painters - given that they had some free time, monks and nuns resorted to painting to kill time
2. weavers - nuns would usually weave or embroider in order to create beautiful patterns of cloths
3. carvers - especially monks did this - carving wooden objects was a good way to both train and entertain themselves
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