Answer:
San Vitale, Ravenna
Explanation:
Both the structures had same purpose of representing a place of worship. Although the subject matter differ but the art technique was same. In Dome of the rock quite elaborative geometric designs, calligraphy and colors were used where as in San Vitale figurative compositions and scripts were designed on mosaic. Apart from that other elements such as columns, piers and ambulatory were same along with the central plan of the structure.
C) Brussels down handle up because after washing it all the water has to be dryer off before storing back to a dry place or else all the clean paintbrushes will get wet and possibly dirty.
Answer:he never published his work or any thing.
Answer:
his print is a Yoko-e, that is, a landscape format produced to the ōban size, about 25 cm (10 in) high by 37 cm (15 in) wide.[10]
The composition comprises three main elements: the sea whipped up by a storm, three boats and a mountain. It includes the signature in the upper left-hand corner.
Explanation:
The mountain with a snow-capped peak is Mount Fuji, which in Japan is considered sacred and a symbol of national identity,[11] as well as a symbol of beauty.[12] Mount Fuji is an iconic figure in many Japanese representations of famous places (meisho-e), as is the case in Hokusai's series of Thirty-six Views of Mount Fuji, which opens with the present scene.
The dark color around Mount Fuji seems to indicate that the scene occurs early in the morning, with the sun rising from behind the observer, illuminating the mountain's snowy peak. While cumulonimbus storm clouds seem to be hanging in the sky between the viewer and Mount Fuji, no rain is to be seen either in the foreground scene or on Mount Fuji, which itself appears completely cloudless
