Answer:
Roger Sherman created the great compromise.
Answer: revolution Education changed during the Industrial revolution. … It changed society because more people could be educated better and the entire country could be more advanced and develop more because the more the people are educated the cleverer the country and it's economy getrevolution?
Explanation:
During 1200 to 1450, Timbuktu had the largest library in the world and it held hundreds of thousands of books. Their library brought them great wealth and prosperity. However, after Chris Columbus and his Spanish explorers discovered the Americas and eventually started the Columbian Exchange, Africans were greatly disadvantaged. The Europeans captured millions of West Africans and transported them to the Americas as slaves. Timbuktu was located in West Africa. Their library is their biggest token of wealth after all the horror all the enslaved West Africans went through.
i believe its trade agreement with the US.
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
