Missions and indigenous villages are commonly investigated contexts for indigenous responses to Spanish colonialism in the American Southwest. In early colonial New Mexico, colonists’ households were also a venue for interaction and exchange of information between Pueblos and Spanish. Using the concept of hybridity, I explore seventeenth-century Spanish ranches in northern New Mexico for the interactions between Spanish colonists and Pueblo wives, servants, slaves, and laborers. The architecture, foodways, and artifacts show an interplay between Pueblo and Spanish ways of making do suggesting that Pueblo peoples contributed in substantial ways to the nature of these households.
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Explanation:
In 1950s , through Rock n Roll, many blacks or African American used the genre of music coupled with R&B to voice their opinions and advocate for civil rights movement.
Rock n Roll was characterized by its youthful and stylistic sound and dance, popularized by the likes of Elvis Presley, with his hip gyration. While it eventually pitted parents, the mass media, and the government against teenagers, it however, helped erode some of the prejudices felt towards African Americans.
Also, while the country and jazz hold sway before and early in the 1950s, the Rock and Roll music was able to trump them later, though dividing in some quarters, it became a uniting force among the youths and coloured people specifically blacks, and eventually was able to create a common culture amongst white and black teenagers, a feat other genres of music couldn't manage at the time.
Confederate general Robert E. Lee hoped for the destruction of the Union Army and subsequently Lincoln's surrender.
Lee knew he was a superior field commander and had greatly superior team of generals working for him at Gettysburg. He also knew that the greatest part of the Union army was in the North so he wanted to destroy it and then head towards the capital for Lincoln's surrender.