The Scream is a work of remembered sensation rather than perceived reality. Munch’s approach to the experience of synesthesia, or the union of senses (for example the belief that one might taste a color or smell a musical note), results in the visual depiction of sound and emotion. As such, The Scream represents a key work for the Symbolist movement as well as an important inspiration for the Expressionist movement of the early twentieth century. Symbolist artists of diverse international backgrounds confronted questions regarding the nature of subjectivity and its visual depiction. As Munch himself put it succinctly in a notebook entry on subjective vision written in 1889, “It is not the chair which is to be painted but what the human being has felt in relation to it.” While such events and objects are visually plausible, the work’s effect on the viewer does not depend on one’s familiarity with a precise list of historical, naturalistic, or formal sources. Rather, Munch sought to express internal emotions through external forms and thereby provide a visual image for a universal human experience.
https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/munch-the-scream
I believe the answer is Monochromatic
A color scheme could be categorized as monochromatic if it's derives only from single based hue using additional tints, tones, and shades.
The usage of these will alter the brightness and the saturation of the color just like what we see in the painting.
Answer:
He significant success in his lifetime. Bosch’s work was a precursor to the Surrealist movement, while El Greco’s work had a profound impact on both Expressionism and Cubism, schools that would not develop until 150 years after the artist’s death. What made Bosch extraordinary is not just his talent, which was impressive, but the fact that he was the first known painter to ever depict imaginary creatures and beings that came entirely from his own imagination.
Explanation:
Answer:
Kermit the Frog Bob Cratchit
