The story about the Chanticleer and the fox is as old as the tale. The Chanticleer supervised the farmyard, waking everyone when the sun rises. Even thinking that he made it rose. The fox told him he admired his singing in the morning but with the intent of bringing him into the woods to be eaten so his morning singing won't bother other animals again. Fortunately, Chanticleer escaped from the fox's grip.
The correct answer for the question that is being presented above is this one: "B. Both essays have a satirical tone." The two traits that are common to the essays “The Danger of Lying in Bed” and “The Fallacy of Success” is that b<span>oth essays have a satirical tone. </span>
Answer:
Social exclusion or social marginalization is the social disadvantage and relegation to the fringe of society. It is a term used widely in Europe and was first used in France. It is used across disciplines including education, sociology, psychology, politics, and economics.
Explanation:
I hope this helped!
simple
Explanation:
bcoz there isn't a helping word nor a compound
A poem about cat with 3 stanze and rhyming in one line word in each stanze 3 line is described below.
Explanation:
1. A three line stanza is called a tercet. A four line stanza is a quatrain, and a five line stanza is a quintet.
2. 3 line stanzas are called Tercets. A stanza in poetry is a group of lines usually separated by a blank line. Stanzas of 3 lines are called Tercets from the Latin word tertius meaning three.
3. A poem or stanza with one line is called a monostich, one with two lines is a couplet; with three, tercet or triplet; four, quatrain. six, hexastich; seven, heptastich; eight, octave.
4. A monostich has been described as 'a startling fragment that has its own integrity'[2] and 'if a monostich has an argument, it is necessarily more subtle.'[3]
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself:[4]
5. Some one line poems have 'the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura', and others having ' a rhythm, (as with one-line haiku), dividing easily into three phrases'
