Answer: Inca art often depicted llamas because llamas were such big parts of the Incas lives. Their whole civilization was largely dependent on llamas.
Explanation:
Llamas were the most important domestic animal in the Inca civilization. They used the llama's wool for warmth, they used the llama dung for fertilizer in their crops, they used llamas as a source of food, the llamas carried packs during long trips and they were even used in sacrifice rituals!
I actually have a llama. He protects our goats from mountain lions, so the Incas might have used llamas to protect their sheep or whatever too. :)
I hope this helps.
Answer:
Hey, here is your answer.
Explanation:
Picasso highly respected cave art because it was the art of prehistoric times. They did not have paint, or a pencil or pen, so they used what they had, and he respects that.
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Answer:
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer,[1] attracted the mad irritation of the Russian officialdom and particularly of the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked verse in which a dangerous freedom of thought was evident in the novelty of his versification, in the audacity of his sensual fancy, and in his propensity for making fun of major and minor tyrants.
Explanation:
Answer:
see below
Explanation:
Symbolism had a great influence on Expressionism and Surrealism, two future artistic movements. The Symbolist Manifesto was published by essayist and poet Jean Moreas in 1886. Many Symbolist artists would deliberately make the meaning of their work obscure and not explain it.