Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
The correct answer is C. <span>Soto relates a story from his life to make a point about what it means to live in a multicultural society.
The other answers can be eliminated because this excerpt is not criticizing marriage, presenting guidelines on how to live, or showing how one's heritage can limit choices.
Instead, he is relating a story from his life to show what it means to live in a multicultural society. Ultimately, even though people may be from different cultures, they still share many similarities. This is made clear by the final line: Her people were like Mexicans, only different.</span>
For he thinks that this kind of friendship can exist only when one spends a great deal of time with the other person, participating in joint activities and engaging in mutually beneficial behavior; and one cannot cooperate on these close terms with every member of the political community.
